| |
| Ben Emanuele |
11/27/04 |
I just wanted to let you know that I have received the above print. It is absolutely
one of the nicest aviation prints I have ever seen (and it is by far the nicest of the pre-war period).
It is far more impressive in person than apparently can be conveyed over the internet. I framed it, hung
it in my office, and have been astounded about how many visitors have commented so positively about it.
Having lived with "Musick's Trippe to Paradise" for a while, I have concluded that much of its success
is the overall creativity in the conception of the work. Much aviation art is simply reproduction of
an interesting aircraft set against a plausible setting; however, "Musick's Trippe" is much more. The
artistic use of color is what catches the eye, and draws the spontaneous comments from visitors to my
office. The interior-lit Martin flying boat contrasts dramatically with its dark background, and, as
a bonus, the background itself is a familiar subject (Diamond Head) which I have never previously seen
rendered at night.
It's a winner in all respects. I would urge your customers to frame the print under non-glare glass.
Can we next have Amelia and Fred touching down on Barre Island of Mili Atoll (or would that be too controversial)? |
| |
| Todd Gehrke | 06/18/03 |
| I'm not sure what to say other than it is my favorite print! See my framed print here. |
| |
| Chris Cooper | 06/16/03 |
| "I have been an admirer of John Doughty's artwork for many years. I recently had the opportunity to purchase a Special Event Cover of the "Trusty Rusty" flown by P-51 Ace Mr. Bob Winks. The cover, autographed by both Mr. Doughty and Mr. Winks, arrived quickly. The quality of the cover surpassed my expectations. I sincerely hope that this is the first of many pieces of John Doughty artwork I will own." |
| |
| Fran Adams | 04/05/03 |
| "I've just received the study "Trusty Rusty #2" won in the recent auction. I can't express how pleased I am with this item, the fact that it's signed by a WWII Ace and what exceptional detail is contained in such a small piece of art. The item was packaged well and the delivery was quick. I look forward to bidding in future auctions and displaying additional items in my collection." |
| |
| Jack Gaffney, crew chief/nose artist - 91st Bomb Group | 01/06/03 |
| “Once again artist John Doughty, Jr. has shown his special ability to portray a special time in WW II aerial warfare history. As a proud owner of his “Full House – Aces High” autographed lithograph, I feel highly honored to have been selected to sign his painting. As a ground crew chief, I have the greatest respect for those who flew those long, hazardous missions, facing fighters, flak, and the elements. My crew and I made every effort to see that our plane was in the best possible condition for every mission. I feel in awe of being in the company of such brave men. One of the highest compliments I received was from one of the pilots of the 91st Bomb Group, who made the statement, ‘If it were not for the ground crew’s efforts, we wouldn’t have gotten to the end of the runway’. An authentic painting of excellence.” - Jack Gaffney |
| |
| Andy Anderson, pilot - 91st Bomb Group | 01/02/03 |
| “The ‘Full House – Aces High’ lithograph is an artistic masterpiece. Not only is it visually unsurpassed, but it is an emotional treasure for those of us who were there, especially for me. The two B-17s depicted, ‘909’ and ‘Outhouse Mouse’ were members of my group, the 91st Heavy Bombardment Group, the most heavily decorated Group of WW II. On the mission depicted, to Merseburg, on Nov. 21, 1944, the 91st lost one bomber, ‘Fearless Fosdick’, with its crew, but on the 91st’s previous mission, also to Merseburg, on Nov. 2, 1944, the 91st lost 13 B-17s with their crew, 130 of the bravest and most skilled men of the 8th Air Force. The ‘Full House – Aces High’ rendition memorializes both the heroism and the sacrifices which the heroes, all volunteers, of that vicious, bloody combat, epitomized. Those of us who survived, and all of our nation, can only say ‘Thank you, comrades. We will always miss you.’” - Andy Anderson |
| |
| Al Rigby, pilot - P51 Mustang | 12/30/02 |
"As a participant on the mission of November 21, 1944, the 'Full House - Aces High' painting has a very special place in my heart, and most certainly in our home. I consider this to be one of the most authentic and detailed paintings to come out of WWII. Add to this incredible painting by John Doughty, 'the Certificate of Authenticity' with the signatures, and it is a masterpiece to be enjoyed by any and all with an interest in WWII aerial warfare history. I consider it a great honor to have my name on this most extraordinary painting." - Al Rigby |
| |
| Rick Elgin | 12/17/02 |
| 'Full House - Aces High' is my third John Doughty print (“The Animal" and “Thunder on the Deck” are my other two), and I have been eagerly looking forward to getting it ever since John showed me a small Polaroid of the original several years ago. I really like John’s work for many reasons, including his choice of subjects (I love F-4’s and both the B-17 and P-51), and the fact that he depicts them as working machines doing their jobs – not just as clean, abstract objects sitting by themselves. John’s attention to detail is phenomenal, and his aircraft pictures in particular have character that “tell a story” about not only the aircraft, but also the people who flew and supported them. I am sure any true aviation art fan would agree that John’s artwork is some of the finest you can find. I am thrilled to have the ones I already have, and look forward to his next piece! - Rick Elgin |
| |
| Pat Varner | 12/15/02 |
| 'Full House - Aces High' is John’s latest artistic creation honoring the brave men who defended our freedom in the skies over Europe. John’s love for aviation and country collaborate as an alchemy of color and reverence in his latest composition. I am delighted and honored to have “Full House” Artist Proof number 1 to share space with my “older” Limited Edition, John Doughty prints. - Pat Varner |
| |
